On Display at the Zabar Art Library

In the small mountain town of Heber Springs, the Arkansas artist known as Disfarmer captured the lives and emotions of the people of rural America between 1939-1945.

These are the faces and voices of the wrongfully convicted: fifty men and women who were imprisoned for years before proving their innocence with the help of The Innocence Project, which strives to transform criminal justice into a more equitable and reliable system. The personal testimonies of these victims of mistaken identity lay bare the paradox of innocence and imprisonment, the inability to recover the years stolen from them, and the state's unconscionable refusal to compensate them or ease their traumatic transition to civilian life. In full-colour throughout.

A brief introduction to the photographer follows a collection of his photographs, mainly from the 1960s to the 1980s.

This handsome volume features 100 works from Tseng Kwong Chi's pioneering series of large-scale black-and-white self-portraits, produced from 1979 to 1989, many of which have never been published. The son of exiled Chinese nationalists, Kwong Chi was part of a 1980s New York circle that included Keith Haring, Kenny Scharf and Cindy Sherman. His ironic portraits of himself posed in a Mao suit--with a visitor badge reading SLUTFORART in front of American tourist destinations--found their way to Communist China through Western magazines smuggled into the country in the 1980s, greatly influencing China's avant-garde. Ann Magnuson, a ubiquitous downtown performer in the 80s, mused, "Just who is this visitor from that forbidden land, who is both tasting the fruits of American freedom and slyly satirizing our home of the brave?"