34 10 373 https://library.hunter.cuny.edu/omeka/files/original/03192f3fdc1e16698c9ff4e76a933a6d.pdf 2f5dcb6be2fa8d88853eff88e616513f PDF Text Text THE ART GALLERIES Look at All Those Roses Well this week we're again confronted with a group of big shows. One of these, the Vuillard retrospective, at the Museum of Modern Art, is a really massive undertaking, with some hundred and fifty oils, water colors, drawings, and other items; and the others -- a loan showing of paintingsof flowers, for the benefit of the Lenox Hill Neighborhood Association, at the Wildenstein, and a selection of oils from the Brooklyn Museum's American collections, at Knoedler -- though not in this impressive category, are still sizeable. I found the Wildenstein affair, to begin with it, a little disappointing. An exhibition of flower paintings seemed just the thing for the cajoling spring weather we were having the day I went up to the gallery, and I'm not entirely sure why the show didn't live up to my expectations. I think the size if one factor, however. An array of no less than eighty-five pictures all on one subject, and that a restricted one, can easily become monotonous, and the effect is heightened in this case by the fact that the selection is unimaginative, or at least circumscribed. With a seriousness that is at times almost grim, it's held to flowers and nothing else -- no figures, not even subsidiary ones, and little background relief of any other kind; in short, just flowers. And as these are capable of only a limited variety of arrangements, in vases, in jugs, on tables, on shelves, against a wall, against a window -- well, you see what I'm getting at. The range in time is wide, however, from a tiny, immaculate "Vase of Flowers," by the sixteenth-century German artist Ludger Tom Ring, to a group by Derain, Dali, Rouault, and other contemporaries, and if one skips, or flits, about one can find plenty of appetizing pieces, I was charmed by Gauguin's large, calm "Flowers of Tahiti," Cézanne's "Vase of Flowers," Monet's blue "Nympheas," and, going farther back, the Abraham Breughel "Spring Flowers" and the Adriaen Van der Spelt "Flowerpiece," both of the seventeenth century. I was also, I must admit, delighted by some of the big set pieces that have thoughtfully been included. I'll cite only two, the early eighteenth-century "Flowers in Vase," by Gaspar Verbruggen -- a riot of blooms, tendrils, sprigs, fallen petals, and whatnot -- and the even more luxuriant "Vase of Flowers in a Niche," by a follower of the seventeenth-century jean-Baptiste Monnoyer. There's a whole roomful of these wonderful creations for your enjoyment. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox Hill Neighborhood Scrapbook Description An account of the resource The items found in these boxes are clippings and news stories that focus on the local neighborhood surrounding Hunter College's 68th Street campus, Lenox Hill. Publisher An entity responsible for making the resource available Hunter College Archives & Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1954 Format The file format, physical medium, or dimensions of the resource Optical Character Recognized PDF, black & white Language A language of the resource English Identifier An unambiguous reference to the resource within a given context Box 92 Creator An entity primarily responsible for making the resource Hunter College Archives & Special Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document THE ART GALLERIES Look at All Those Roses Well this week we're again confronted with a group of big shows. One of these, the Vuillard retrospective, at the Museum of Modern Art, is a really massive undertaking, with some hundred and fifty oils, water colors, drawings, and other items; and the others -- a loan showing of paintingsof flowers, for the benefit of the Lenox Hill Neighborhood Association, at the Wildenstein, and a selection of oils from the Brooklyn Museum's American collections, at Knoedler -- though not in this impressive category, are still sizeable. I found the Wildenstein affair, to begin with it, a little disappointing. An exhibition of flower paintings seemed just the thing for the cajoling spring weather we were having the day I went up to the gallery, and I'm not entirely sure why the show didn't live up to my expectations. I think the size if one factor, however. An array of no less than eighty-five pictures all on one subject, and that a restricted one, can easily become monotonous, and the effect is heightened in this case by the fact that the selection is unimaginative, or at least circumscribed. With a seriousness that is at times almost grim, it's held to flowers and nothing else -- no figures, not even subsidiary ones, and little background relief of any other kind; in short, just flowers. And as these are capable of only a limited variety of arrangements, in vases, in jugs, on tables, on shelves, against a wall, against a window -- well, you see what I'm getting at. The range in time is wide, however, from a tiny, immaculate "Vase of Flowers," by the sixteenth-century German artist Ludger Tom Ring, to a group by Derain, Dali, Rouault, and other contemporaries, and if one skips, or flits, about one can find plenty of appetizing pieces, I was charmed by Gauguin's large, calm "Flowers of Tahiti," Cézanne's "Vase of Flowers," Monet's blue "Nympheas," and, going farther back, the Abraham Breughel "Spring Flowers" and the Adriaen Van der Spelt "Flowerpiece," both of the seventeenth century. I was also, I must admit, delighted by some of the big set pieces that have thoughtfully been included. I'll cite only two, the early eighteenth-century "Flowers in Vase," by Gaspar Verbruggen -- a riot of blooms, tendrils, sprigs, fallen petals, and whatnot -- and the even more luxuriant "Vase of Flowers in a Niche," by a follower of the seventeenth-century jean-Baptiste Monnoyer. There's a whole roomful of these wonderful creations for your enjoyment. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Art Galleries, Look at All Those Roses Description An account of the resource A New Yorker review of the exhibit "Magic of Flowers in Paintings" benefiting the Lenox Hill Association Date A point or period of time associated with an event in the lifecycle of the resource April 24th, 1954 Format The file format, physical medium, or dimensions of the resource Optical Character Recognized PDF Lenox Hill Magic of Flowers in Paintings https://library.hunter.cuny.edu/omeka/files/original/a73570d2fef7db88fa77648a4b8190c1.jpg 9d997673005235352ea296deecaaacba https://library.hunter.cuny.edu/omeka/files/original/723074905aa62a8d5a39fd95e2fc9255.jpg 9db404a76e9b90ed6e9f018c115a96fc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 01_11_10a.jpg 01_11_10b.jpg Source A related resource from which the described resource is derived Hunter College Art Galleries Collection, 1975-2009 Box 1, Folder 11 Title A name given to the resource The Concrete Voice Description An account of the resource Works by Willie James Bell, Brenda Coates, Peter Dudek, Elana Herzog, Joe Smith Date A point or period of time associated with an event in the lifecycle of the resource February 15-March 25, 1994 Creator An entity primarily responsible for making the resource Curator: Professor Joel Carreiro with Evan Karlan The Bertha and Carl Leubsdorf Art Gallery https://library.hunter.cuny.edu/omeka/files/original/ce0b35af3518b713ea9205de380c8f36.jpg f555a22a77c8cb5ae0bcd7df1154d801 https://library.hunter.cuny.edu/omeka/files/original/83c0de896d65b06746198e6b3e0aa63e.jpg e0fb6f50ef4dfdfb6061d1cd58e3e17e Still Image A static visual representation. 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Identifier An unambiguous reference to the resource within a given context 01_11_20a.jpg 01_11_20b.jpg Source A related resource from which the described resource is derived Hunter College Art Galleries Collection, 1975-2009 Box 1, Folder 11 Title A name given to the resource The Early Show: Video from 1969 -1979 Date A point or period of time associated with an event in the lifecycle of the resource March 16-May 6, 2006 Creator An entity primarily responsible for making the resource Curator: Constance De Jong The Bertha and Carl Leubsdorf Art Gallery https://library.hunter.cuny.edu/omeka/files/original/0b5612369e903895b8e8eda1369fdc00.jpg b4dacad07c24c675ad2f1bd314894fcc https://library.hunter.cuny.edu/omeka/files/original/23c7b7f5d4614560437bf2e4436cabeb.jpg 2b6735617ddd223a136bc2f242994215 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 01_11_21a.jpg 01_11_21b.jpg Source A related resource from which the described resource is derived Hunter College Art Galleries Collection, 1975-2009 Box 1, Folder 11 Title A name given to the resource The Edge is Nigh Description An account of the resource Hunter College BFA Degree Show Date A point or period of time associated with an event in the lifecycle of the resource December 18-January 17, 2008 BFA The Bertha and Carl Leubsdorf Art Gallery https://library.hunter.cuny.edu/omeka/files/original/4f949b3eeec9d9f51bb45ed1dbef5bdd.jpg b822c5b8aea097c0f66d6498234c41c7 https://library.hunter.cuny.edu/omeka/files/original/70c08a14aa63d662653bf5b5f4c69105.jpg 628d7a2ae0a6ba16b5b906a0c4912bbc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 01_11_22a.jpg 01_11_22b.jpg Source A related resource from which the described resource is derived Hunter College Art Galleries Collection, 1975-2009 Box 1, Folder 11 Title A name given to the resource The End is Night Description An account of the resource Urban Landscape Photography Date A point or period of time associated with an event in the lifecycle of the resource November 12-December 12, 1998 The Bertha and Carl Leubsdorf Art Gallery https://library.hunter.cuny.edu/omeka/files/original/a2c3e791f5b4364804c3b5cc2c6225a5.jpg 61ab0997348a28a2866b8a6547fc89d4 https://library.hunter.cuny.edu/omeka/files/original/1b8b1b44c3f5396c5343592481dd0f8b.jpg 4e4697a625d321763d7e708d2778949c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 01_15_05a.jpg 01_15_05b.jpg Source A related resource from which the described resource is derived Hunter College Art Galleries Collection, 1975-2009 Box 1, Folder 15 Title A name given to the resource The Faculty Exhibition Description An account of the resource The Glasgow School of Art MFA in New York City Date A point or period of time associated with an event in the lifecycle of the resource October 4-November 10, 2001 MFA Times Square Gallery https://library.hunter.cuny.edu/omeka/files/original/887e475302e635c49cb57d91b365d9a6.jpg c351f9a6d62c11230a27638ae3f37475 https://library.hunter.cuny.edu/omeka/files/original/3fd71ffb568eda561fee48541320bf80.jpg cf1569733e19ef75352858af82d2a0fc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 01_15_07a.jpg 01_15_07b.jpg Source A related resource from which the described resource is derived Hunter College Art Galleries Collection, 1975-2009 Box 1, Folder 15 Title A name given to the resource The First Decade of the M.F.A. Program, 1981-1991 https://library.hunter.cuny.edu/omeka/files/original/d030c2da7305b59c8f909791c4c232ca.jpg a0077f11335b08d9476703bf12ccafcf https://library.hunter.cuny.edu/omeka/files/original/310afe7661df1c33cf51255ec776d38a.jpg 68f154d29793abb73591baaaae56195d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 01_15_12a.jpg 01_15_12b.jpg Source A related resource from which the described resource is derived Hunter College Art Galleries Collection, 1975-2009 Box 1, Folder 15 Title A name given to the resource The International Exchange Exhibition Description An account of the resource Recent Abstract Painting in New York Date A point or period of time associated with an event in the lifecycle of the resource February 25-April 17, 1999 Creator An entity primarily responsible for making the resource Curators: Carter Ratcliff and Kim Sobel paintings Times Square Gallery https://library.hunter.cuny.edu/omeka/files/original/7a8db451cc38a97a61e1fac926d56514.jpg 5575def11bb397e091059dcf23027e94 https://library.hunter.cuny.edu/omeka/files/original/811b17da66a3f00cd08a6fe66089b172.jpg 5c83c5127a3c80a28e24d030b67a37f4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 01_11_61a.jpg 01_11_61b.jpg Source A related resource from which the described resource is derived Hunter College Art Galleries Collection, 1975-2009 Box 1, Folder 11 Title A name given to the resource The MICROSCOPE and the SKELETON Description An account of the resource A Digital Photomicrography of Hard Tissues Date A point or period of time associated with an event in the lifecycle of the resource February 19-March 16, 2002 Creator An entity primarily responsible for making the resource Curators: Professor Timothy Bromage with Joanna Warshaw and Shannon McFarlin The Bertha and Carl Leubsdorf Art Gallery https://library.hunter.cuny.edu/omeka/files/original/2da85083e8f32b8aeba9e0681d83990b.pdf d6e22941b7c4b7233ed536b7aa63da1b PDF Text Text THE MURIEL FULLER PAPERS 19 14 - 19 9 1 Archives and Special Collections �TABLE OF CONTENTS General Information Biographical Sketch Scope and Content Note Series Description Container List Addenda Bibliography 2 3-4 6 8-9 11-34 35-37 38 1 �GENERAL INFORMATION Accession Number: Size: Provenance: Location: Restrictions: Archivist: Date: Revised: 92-01 15.8302 cu. ft. Muriel Fuller Range 5 Sections 6-7 Shelves 34-39 None. Prof. Julio L. Hernandez-Delgado March 2001 November 2014 2 �BIOGRAPHICAL SKETCH Muriel Fuller was born in Brooklyn Heights, New York on August 25, 1901, to Dr. David J. Fuller and Olive Beatrice Muir. Dr. Fuller had a dental practice and was a veteran of the Civil War (New Hampshire Volunteers). Olive Beatrice Muir was an author and the daughter of John Muir who founded a stock brokerage firm in New York in 1898. As a child Muriel developed a voracious appetite for reading which she attributed to her mother who had exposed her to a wide range of books and magazines. Olive’s familiarity with New York City theatre also whetted her daughter’s early passion for dramatic productions. Muriel attended many acclaimed performances like “The Wizard of Oz”, “The Red Mill”, and “Peter Pan” to name a few. The Fuller family left the friendly confines of Brooklyn Heights and came to settle in Hendersonville, North Carolina in 1909. Muriel graduated from Asheville High School in 1918, attended Temple University from 1918 - 1919, and received a Bachelor of Arts in English Literature from Wheaton College (Illinois) in 1923. In 1923, Muriel accepted a secretarial post in the Children’s Editorial Department of the Rand McNally & Company. Muriel was an astute employee and quickly learned how to interact with prospective authors, prepare jacket blurbs, and gained an understanding of bookmaking and editing. In 1926, Muriel left Rand McNally & Company and headed East to write a biography on her grandfather, John Muir. Her efforts came to fruition when the Knickerbocker Press published John Muir of Wall Street in 1927. While preparing the book she became the associate editor of Book Trails until 1929. In 1929, Muriel became the Children’s Book Editor and assistant editor at Robert M. McBride Company until 1934. Ever restless, Muriel returned to Rand McNally & Company in 1934 and assumed the post as the eastern representative of Child Life. Between the 1940's and 1950's, Muriel worked for the McCall Corporation, Vanguard Press, Greystone Press, Thomas Nelson & Sons, and Abelard Press. In 1960, Muriel became the Book Review Editor for the Christian Herald Magazine. Muriel was instrumental in finding publishers for Margaret Landon, Frank Yerby, Hortense Landru, Virginia Voight, Edward Ormondroyd, Frances Cavanah, and Mary Wallace. Many of the authors were so enamored by Muriel’s professionalism that 15 books were dedicated to her. Muriel exhibited a flair for writing in her senior year at Wheaton College. She commenced her professional career by submitting book reviews to the Chicago Daily News under the editorship of Harry Hansen, and later under Keith Preston, Robert Ballou and Howard Vincent O’Brien. When Mr. Hansen went to the New York World-Telegram Muriel continued to write reviews for him and, in his absence, wrote the First Reader column in the aforementioned newspaper. Muriel wrote her first children’s book, The Book of Dragons, in 1931. She cleverly selected and edited 20 dragon tales from around the world. This compilation was critically acclaimed and warmly received. In 1932, Muriel co-authored Marko: the King’s Son, Hero of the Serbs with Clarence Manning. Manning translated 40 Serbian ballads, while Muriel tailored the stories for an audience of older boys. Lady 3 �Editor: Careers For Women In Publishing (1941) and The Runaway Shuttle Train (1946) were two additional works that were welcomed by the general public. Muriel authored and/or co-authored a total of twelve books which had a fair distribution. Muriel had also managed to write biographical sketches of authors and editors of children’s books. Between 1935 and 1962 Muriel wrote over 65 profiles for Publishers’ Weekly and Wilson Library Bulletin where she highlighted the works of outstanding writers like Dorothy Bryan, Virginia Fowler, Dorothy Waugh, Ursula Nordstrom, and Ruth A. Knight. Muriel’s ultimate creative venture was as an instructor. It was in this capacity that she enthusiastically shared her knowledge of writing, editing, and publishing. Muriel taught writing at Hunter College of The City University of New York, Hofstra University, The New School For Social Research, and Columbia University. She also conducted short story workshops at the University of New Hampshire, University of Kansas City, Texas State Teachers College, and Fordham University. Many of Muriel’s students later commented that her sessions were informative and highly inspirational. Muriel Fuller was two days short of her 95th birthday when she died of heart failure on August 23, 1996. She was a religious and multi-talented woman who touched the lives of many men, women, and children. It was her passion for life that enabled her to leave a creative mark on the world. References 1. Muriel’s birth name was Olive Muiriel Fuller, but she later decided to shorten her name to Muriel Fuller. 2. The biographical sketch on Muriel Fuller was written by David Otis Fuller, Jr. and edited by Julio Luis Hernandez-Delgado. 4 �Muriel poses with a self-made dress at fourteen years old. April, 1915 5 �SCOPE AND CONTENT NOTE The Muriel Fuller Papers document the life of an extraordinary woman who excelled as an editor, writer, literary agent, and college instructor for more than 30 years. The papers reveal the creativity, ingenuity and productivity that emanated from a committed and multi-talented individual. In addition, the papers provide an insight into the field of children and young adult literatures and the intricacies involved in publishing in these disciplines. The papers consist of personal documents, articles, financial statements of publishers, contracts, books, diaries, bibles, correspondence, manuscripts, black & white and color photographs, newspaper clippings, flyers, scrapbooks, and sheet music. Correspondence comprises the bulk of the collection. Fuller exchanged many letters with family members, male associates, clients, and publishers. Many of her letters are addressed to clients and publishers, but the bulk of the correspondence pertain primarily to Caroline Crane, Harry Hansen, Ruth Adams Knight, Hortense Landru, Edward Ormondroyd, Virginia Voight, and Mary Wallace. Another major segment of the papers comprises Muriel’s publications. Series III contains articles, biographical sketches, book reviews, poetic verses, and short stories. Muriel’s writings are varied, informative, and reflect her interest in children and young adult literature. Articles like “Authors I have Known” (1963), “Some of My Best Friends are Books” (1964), and “Touring the World by Book” (1981) reveal a unique writing style that she developed during her illustrious career. The Muriel Fuller Papers may be of interest to patrons of children and young adult literature, prospective writers, and researchers seeking to learn about female writers and editors of the 20th Century. 6 �Muriel Fuller, ca. 1930 - 1940 7 �SERIES DESCRIPTION Series I – Biographical and Personal Information Series I documents the private life of Muriel Fuller. The autobiographical and biographical sketches, along with Fuller’s diaries, provide a personal touch to the life of this extraordinary individual. The folders are arranged alphabetically by category. Series II – Correspondence Series II consists of correspondence between Muriel Fuller and her mother, Olive Muir Barbour, siblings, friends, and male associates. This series is arranged alphabetically by surname and chronologically therein. Series III – Writings 3.1 3.2 3.3 3.4 3.5 Articles Biographical Sketches Reviews Papers Published Books Subseries 3.1 consists of articles written by Fuller between the years 1934 and 1981. Subseries 3.2 consists of biographical sketches written by Fuller that appeared in Publisher’s Weekly (1935 -1962) and in Wilson Library Bulletin (1955 - 1960). Subseries 3.3 consists of reviews of The Book of Dragons (1931), Marko: The King’s Son, hero of the Serbs (1932) and Lady Editor: Careers for Women in Publishing (1941). Subseries 3.3 also consists of reviews written by Fuller that appeared in The Book World (1927-1930), The Chicago Daily News (1925 -1930), Child Life (1934 -1940), Christian Herald (1971 -1972), The Daily News (1923 -1926) and The New York World Telegram (1930 -1939). Subseries 3.4 consists of papers written by Olive Muir Barbour between 1936 and 1942, and poetic verses. Subseries 3.5 consists of correspondence related to The Book of Dragons, copies of published dragon tales, one copy of The Runaway Shuttle Train (1946) plus related correspondence and several short stories. The subseries are arranged alphabetically by category and chronologically therein. Series IV – Photographs Series IV consists of black & white and color photographs of Muriel, family members, Frances Cavanah, Marguerite Dickson, Harry Hansen, Hans Kreis, Raymond I. Lindquist, and Manly W. Wellman. In addition, there are a number of unidentified photographs and negatives. This series is arranged alphabetically by category and/or surname. Series V – Authors and Associates Fuller maintained files on associates and writers that she helped get published. Many of the files contain correspondence, biographical data, articles, book contracts, manuscripts, newspaper clippings, publications, royalty notes, and scrapbooks. This series is arranged alphabetically by surname. 8 �Series VI – Writings By Other Authors Series VI consists of articles, books, papers, bibliographies, and newspaper clippings that Fuller accumulated during her long and distinguished career. Muriel’s interest in astrology and theatre are reflected in the articles and books she collected. This series is arranged alphabetically by author or title. Series VII – Sheet Music During her life Muriel Fuller attended many dramatic performances that were held in many cities throughout the United States. Muriel’s love for music and the theatre was reflected in the sheet music she acquired and preserved. Series VII is arranged alphabetically by title of song or name of dramatic performance. Addenda I Materials consisting of diaries (1948 - 1979), poetic verses, newspaper clippings, and the publications Young Wing Books (1929 - 1955), Junior Literary Guild (1955 - 1960) and Young Literary Guild (196l - 1976) were added to the Muriel Fuller Papers after the collection was processed. Addenda II Framed photographs and an assortment of books belonging to Muriel Fuller were discovered and subsequently added to the collection. 9 �Muriel Fuller, October 10, 1948 10 �CONTAINER LIST SERIES I – PERSONAL AND BIOGRAPHICAL INFORMATION Box 1 Folder 1 Contents Articles about Olive Muriel Fuller, 1916, 1936, 1939 Association of Children’s Book Editors/Children’s Book Council Bylaws, ca. 1950 Luncheon, May - June, 1952, September, 1952 Minutes, 1945 - 1952 Autobiographical Information, n.d. Bibles, 1932, 1944 Biographical Information, 1942, 1958, 1963, 1996 Book Marks, n.d. Class Assignments, October 1925 - January 1926 Class Notes on Writing, 1961, 1965 Contract for More Junior Authors, December 20, 1955 Diaries 1918, 1920 1921 - 1922 1923 - 1924 1925 - 1926 1927 - 1928 1929 - 1930, 1935 1936, 1938 - 1939 1940 - 1942 1943, 1944 1945-1947 Unidentified Diary Notes, August 18, 1889 - November 14, 1998 Education Northwestern University Certificate of Credit, 1925 - 1926 2 3 4 5 6 7 8 9 10 2 1 2 3 4 1 2 3 4 1 2 3 4 3 11 �SERIES I – PERSONAL AND BIOGRAPHICAL INFORMATION Box Folder Contents Education Wheaton College (Illinois) Transcript, November 2, 1931 Wheaton Alumni, July, 1950 Wheaton College Scholastic Honor Society Certificate, May 21, 1979 History, Constitution, Directory, 1983 5 6 7 8 9 10 11 12 13 14 Employment Announcements, 1934, 1936, 1944, 1947, 1951 Columbia University, 1957 - 1961 The Fuller/Muir Family, 1914, 1926, 1929, 1942, 1946, 1963 Hunter College Book Fair, March 18, 1975 The Muriel Fuller Collection, 1974 - 1994 Lecture Notes, May 7, 1947 List of Books Authored by Muriel Fuller, August 17, 1959 Miniature Book by Aunt Laura, Orphan Willie, 1862 Religious Materials, n.d. Tea & Talk Series, 1971 - 1972, 1980 4 4 SERIES II – CORRESPONDENCE 5 Fuller, Muriel Olive Incoming 1898, 1914 - 1944 1945 - 1959 1960 - 1973 1976 - 1992 Outgoing 1926 - 1958 1960 - 1967 1970 - 1980 Birthday Cards Holiday Cards Postcards Undated Letters 1 2 3 4 5 6 7 8 9 10 11 12 �Muriel Fuller with nephew 13 �SERIES II – CORRESPONDENCE Box 6 Folder 1 2 3 4 5 6 7 8 9 10-11 12 7 1 2 Contents Fuller, Muriel Olive Undated Letters Unidentified Letters Cherami, July, September 1926 John, 1978 - 1980 Liz, 1966, 1973 Maggie, 1963, 1967 - 1968 Barbour, Olive Muir Incoming, 1919, 1921 - 1922, 1926 - 1929, 1938, 1946 Letters to Muriel Fuller 1926, 1929, 1936, 1939 - 1947, 1953 Letters to Olive Muir Barbour 1919 - 1925 1926 - 1930 Undated Becker, May L. Incoming, 1946, 1947, 1952, 1954 Feather, Bill Incoming, 1950, 1961 - 1966, 1968 - 1970 Fisher, Dorothy Canfield Outgoing, 1934, 1963, 1979 Incoming, 1951, 1962 - 1963, 1965, 1969 Fuller, David Otis Incoming, 1963, 1965 - 1966, 1972, 1996 Fuller, Dukie Incoming, 1929, 1953, 1963 3 4 14 �SERIES II – CORRESPONDENCE Box 7 Folder 5 Contents Fuller, Grace P. Outgoing, 1945, 1953, 1959, 1963 Incoming, 1962, 1964 Howard, H. Trumbull Outgoing May - September, 1920 November - December, 1920, 1922 January 1921 - July 1922 August 1922 - August 1923, 1935 Key, Alexander Outgoing February 1937 - May 2, 1943 May 3, 1943 - May 21, 1943 May 22, 1943 - June 13, 1943 June 14, 1943 - August 14, 1943, January 27, 1949 Kreis, Hans Outgoing, 1954, 1960, 1968 Lord, Anthony Outgoing, 1918 - 1922, 1939 Triggs, Fred E. Outgoing 1948 - 1950 1951 - 1952 1953 - 1955 1956 - 1958 1959 - 1971 6 7 8 9 10 11 12 13 8 1 2 3 4 5 6 7 SERIES III – WRITINGS Subseries 3.1 Articles 9 1 Fuller, Muriel. “Authors I have Known.” The Christian Herald (November, 1963). ---. “Books Tell the Story.” Christian Life (November, 1948): 35-39. 15 �SERIES III – WRITINGS Subseries 3.1 Articles Box 9 Folder 1 Contents Fuller, Muriel. “Cats and a Lion.” The Horn Book Magazine (March-April, 1936): 91-93. ---. “Children’s Books.” The Guardian for Leaders of Camp Fire Girls (March, 1934): 2-3. ---. “The Deputy Controversy.” Christian Herald (June, 1964): n.p. ---. “Dorothy Bryan: Fine Books for Young People.” Poise, n.d: 15, 42. Graham, Alberta P. and Muriel Fuller. “Inaugural Firsts.” The American Mercury (February 1945): 169-173. Fuller, Muriel. “Youth Magazines in the United States.” The Hunt Breakfast. 110, 112. ---. “Literature, Children’s.” International Yearbook, 1996. ---. “Make It All Ring True, Says Child Fiction Editor.” New York Evening Post (February 23, 1934): n.p. ---. “Movie News.” Child Life (August 1946): 19, 36. ---. “The Shuttle and I.” Young Wings n.d.: 9, 18. ---. “Some of My Best Friends are Books.” Christian Herald (November, 1964): 98 -100. ---. “Emily P. Street.” The Bookwoman (Spring, 1947): 1. Fuller, Muriel. “Three Little Pigs.” Publishers’ Weekly (October 21, 1933): n.p. ---. “Touring the World by Book.” The Epsworth Herald (November 14, 1981): 7, 18. 16 �SERIES III – WRITINGS Subseries 3.2 Biographical Sketches Box 9 Folder 2 Contents Duff, Annis Fayerweather, Margaret D. Patton, Frances Gray Robinson, Mabel Louise Sauer, Caroline Ware, Harriet 3 Publishers’ Weekly Allen, Grace Andrews, Siri Bartlett, Susan Blake, Eunice P. Blumenthal, George Bonino, Louise Bragdon, Lillian J. Brown, Paul Bryan, Dorothy Colby, Jean P. Cosgrave, Mary S. Creighton, Beatrice Cummings, Patricia Dalgliesh, Alice Dittman, Marion Dobbs, Rose Duff, Annis Durell, Ann Epstein, Constance P. Fish, Helen D. Forenbach, Rita Fowler, Virginia Friskey, Margaret Frye, Helene C. Gilman, Elizabeth L. Gunterman, Bertha L. Hall, William Hamilton, Elisabeth B. Harmon, Mary K. Harris, Laura Hoke, Helen 03/21/1936 04/24/1948 02/13/1961 07/04/1936 10/29/1949 10/28/1939 08/25/1945 06/28/1951 02/08/1936 10/28/1950 02/11/1957 04/24/1943 02/11/1957 07/30/1949 07/29/1950 10/22/1938 02/15/1950 07/02/1962 07/04/1960 08/31/1935 07/03/1961 03/14/1953 07/29/1957 10/26/1946 12/14/1935 10/19/1935 07/28/1951 09/28/1935 07/28/1958 04/18/1936 08/26/1944 17 4 �SERIES III – WRITINGS Subseries 3.2 Biographical Sketches Box 9 Folder 4 5 Contents Publisher’s Weekly Ives, Vernon Jessup, Marie Jones, Helen L. Jones, Mary Alice Kingman, Lee Lesser, Margaret Meyer, Edith P. Morton, Elizabeth McElderry, Margaret Moore, Ann C. Nordstrom, Ursula Patee, Doris S. Pfeiffer, May Raymond, Louise Riley, Elizabeth Rotter, Helen Torrey, Alice Vance, Margaret Varner, Velma Waugh, Dorothy Miscellaneous Materials Wilson Library Bulletin Chastain, Madye L. Coleman, Lonnie Evatt, Harriet T. Faulkner, Nancy Gault, William C. Heden, Worth T. Keith, Harold Knight, Ruth A. Neilson, Frances F. Salverson, Laura G. Speare, Elizabeth G. Watkins, Shirley Wilson, Dorothy C. 04/1958 02/1958 n.d. 04/1956 06/1960 02/1957 06/1958 03/1955 10/1955 06/1957 04/1959 10/1958 n.d. 04/26/1947 10/23/1943 10/22/1955 03/26/1949 04/27/1946 08/08/1936 08/28/1948 04/28/1945 10/30/1948 07/28/1951 10/25/1947 08/29/1936 07/30/1956 10/17/1936 03/10/1951 10/27/1957 10/25/1952 10/24/1942 07/27/1959 03/29/1939 6 7 18 �SERIES III – WRITINGS Subseries 3.3 Reviews Box 9 Folder 8 Contents Reviews of Muriel Fuller’s Books The Book of Dragons (1931) Marko: The King’s Son, Hero of the Serbs (1932) Lady Editor: Careers for Women in Publishing (1941) Reviews written by Muriel Fuller The Daily News, 1923 - 1926 The Chicago Daily News, 1926 - 1930 The Book World, 1927 - 1930 The New York World-Telegram “The First Reader,” 1930 - 1935 The New York World-Telegram, 1931 - 1932 The New York World-Telegram “Book Marks for Today,” 1932, 1936 - 1938 The New York World-Telegram, 1933 - 1934 “Our Book Friends.” Child Life, 1934 - 1940 “Book Notes for Mothers.” Child Life, 1939 News of Books and Authors. E.P. Dutton & Co., 1939 - 1940 “Between the Lines.” Christian Herald, 1971 - 1972 Undated Reviews 9 10 11 12 13 14 10 1 2 3 4 5 6 Subseries 3.4 Papers 10 7 8 Early writings Papers Barbour, Olive Muir “God Has Promised,” December 1942 “God Is the Father of Whom” “The Good....The Better....The Best,” March 1936 “The Hairs That God Splits” “Of Whom Is God the Father?” July 1941 9 Poetic Verses 19 �SERIES III – WRITINGS Subseries 3.5 Published Books Box 10 Folder 10 11-12 13 11 1 Contents The Book of Dragons (1931) Correspondence, 1928 - 1932, 1945, 1966, 1980 Dragon Tales Lady Editor: Careers for Women in Publishing (1941) Correspondence, 1940 - 1942 Random Rimes The Runaway Shuttle Train (1946) Correspondence 1941 - 1953 1954 - 1958, 1963 Preview Copy Scrapbook Scrapbook Miscellaneous Materials Short Stories “Burning Leaves” “The Lost Shuttle Train” “Stephen Foster, Who Sang America” 2 3 4 5 6 7 8 SERIES IV – PHOTOGRAPHS 12 1 2 3 4 5 6 6 7 8 9 10 Photograph Album (digitized) Cavanah, Frances Dickson, Marguerite Fuller, Muriel Hansen, Harry Key, Alexander Lindquist, Raymond I. Wellman, Manly W. Assorted Photographs Unidentified Photographs Unidentified Negatives 20 �SERIES V – AUTHORS AND ASSOCIATES Box 13 Folder 1 2 3 4 5 Contents Burbeck, Gloria Outgoing Letters, 1959 - 1962 Burnett, Constance Buel Outgoing Letters, 1957 - 1969 Incoming Letters, 1952 - 1965 … “Horse Fair: The Story of Rosa Bonheur.” (draft), n.d. Butler, Edgar A. Outgoing Letters, 1955, 1981 Caryl, Jean Outgoing Letters, 1977 - 1979 Incoming Letters, 1975 - 1981 Cavanah, Frances Outgoing Letters, 1965 - 1973 Incoming Letters, 1957 - 1973 Coray, Henry W. Outgoing Letters, 1961, 1974 - 1975, 1981 - 1982 Incoming Letters, 1974 - 1982 Crane, Caroline Outgoing Letters 1968 - 1972 1973 - 1983 Incoming Letters 1970 - 1978 1976 - 1977 Dickson, Marguerite Outgoing Letters, 1950 - 1951 January - June, 1952 July - December 1952 1953 Incoming Letters, 1950 - 1952 6 7 8 9 10 11 12 13 14 1 2 3 4 21 �SERIES V – AUTHORS AND ASSOCIATES Box 14 Folder 5 6 7 8 9 10 Contents Dickson, Marguerite Incoming Letters, 1953 Dobler, Lavinia Outgoing Letters, 1956, 1958 - 1959, 1974 Donahey, Mary D. and William Donahey Outgoing Letters, 1959 - 1969 Evans, Howell G. Outgoing Letters, 1946 - 1963 Ferris, Helen Fimognari, Eleanor Outgoing Letters, 1963, 1975, 1979 Incoming Letters, 1963 - 1968 Griffin, Gillett G. Outgoing Letters, 1952 - 1958 Incoming Letters, 1952 - 1953 Hansen, Harry Articles by Harry Hansen Biographical Information Outgoing Letters 1923 - 1929 1930 - 1932 1933 - 1937 1938 - 1940 1941 - 1943 1944 - 1948 Undated … Three Reviews. National Broadcasting Company, The Woman’s Radio Review, n.d. Scrapbook 11 12 13 14 15 1 2 3 4 5 6 7 8 16 1-2 22 �SERIES V – AUTHORS AND ASSOCIATES Box Folder Contents Hill, Donna Outgoing Letters 1967 - 1976 1972 - 1981 Incoming Letters 1977 - 1979 1980 - 1981 Horne, Ann Incoming Letters, 1939 - 1944 Keeler, Katherine Incoming Letters, 1943 - 1946, 1950 - 1953 Key, Alexander Scrapbook, n.d. Knight, Ruth Adams Incoming Letters, 1962 - 1967 Outgoing Letters, 1959 - 1967 Miscellaneous Materials …“Top of the Mountain,” Classmate, May 9, 1954 …“Luck of the Irish,” Boys Today, November 4, 1951 Kossen, Mary Outgoing Letters, 1969 - 1975 Landru, Buck. The Fairbanks Dog Races, 1948 Landru, Hortense Outgoing Letters, 1950 - 1956, 1962 - 1982 Incoming Letters, 1951 - 1960, 1979 - 1980 Le Clair, Dorinda B. Incoming Letters, 1975 - 1978 Outgoing Letters, 1976 - 1978 16 3 4 5 6 7 8 9 10 11 17 1 2 3 4 5 6 7 8 23 �SERIES V – AUTHORS AND ASSOCIATES Box Folder Contents Lindquist, Ray & Linda Outgoing Letters 1947, 1959 - 1968 1970 - 1975 Incoming Letters, 1964 - 1974 … By-Products. By-Products.. By-Products…Trumansburg, N.Y.: A Crossing Press, 1972. Lund, Florence A. Incoming Letters, 1949 - 1965, 1975 McConnell, Adelene Incoming Letters, 1968 - 1970, 1975 MacCraig, Hugh Incoming Letters, 1943, 1956 - 1958 … “Hearts Aflame.” (draft), circa 1959 … “My Private Ghost Story.” (draft), circa 1958 … “When Woodrow Wilson Laughed.” (draft), circa 1956 2 3 4 5 6 7 Miscellaneous Materials Manning, Clarence A. Outgoing Letters, 1931 - 1941 Martin, Terry McNally III, Andrew Outgoing Letters, 1948, 1950, 1954 Mitchel, Ruth Mary Incoming Letters, 1965 - 1969 Neilson, Frances F. Ormondroyd, Edward Incoming Letters 1953 - 1956 1957 - 1961 1962 - 1964 24 17 9 10 11 12 13 14 18 1 8 9 10 �SERIES V – AUTHORS AND ASSOCIATES Box Folder Contents Ormondroyd, Edward Incoming Letters 1965 - 1966 1967 - 1970 1971 - 1980 Outgoing Letters 1953 - 1969 1970 - 1973 … “David and the Phoenix: A One Act Play in Eight Scenes.” (draft) Pepper, Benjamin & Morton Incoming Letters, 1959 - 1966 Outgoing Letters, 1966 - 1971 Preston, Keith Outgoing Letters, 1927, 1966 Rittenhouse, Mignon Incoming Letters, 1955 - 1965 Outgoing Letters, 1955 - 1959 Ship, Cameron Incoming Letters, February - March 1951 Outgoing Letters, 1937 - 1951 Smith, Wilbur Outgoing Letters, 1953 Smith, William W. Outgoing Letters, 1941 Stuart, Jesse Outgoing Letters, 1954 - 1964 Turngren, Annette Outgoing Letters, 1953 - 1968, 1977 - 1980 Incoming Letters, 1954 - 1980 Memorandum of Agreements, 1954 - 1969, 1981 25 18 19 11 12 1 2 3 4 5 6 7 8 9 10 11 12 20 1 2 3 �SERIES V – AUTHORS AND ASSOCIATES Box 20 Folder 4 Contents Vetter, Marjorie Outgoing Letters, 1954 - 1966 Voight, Virginia Incoming Letters 1955, 1964 - 1969 1980 - 1981 Outgoing Letters 1942, 1961 - 1979 1980 - 1982 Miscellaneous materials Wallace, Mary Incoming Letters 1964 1965 1966 1967 - 1968 1969 - 1970, 1978 - 1979 1980 1981 … “Brendan’s Birthday Party.” Woman’s Day (March, 1965): 62, 100, 103 - 104. … “Brendan’s Birthday Party” (drafts) … “Mr. Bonaventura’s Friends.” The Sign (September, 1966): 44 - 48. …“The Grand Dream” from Blue Meadow. William & Morrow, 1975, p. 71-72, 154, 156, 158 - 159, 161, 163 - 164. …“ The Man on the Corner” (n.p.): n.d. … “Reason for Gladness” (draft) … “The Visit.” The Sign (June, 1966): 36 - 39. 10 22 1 Miscellaneous Materials Wallace, May N. The Ghost of Dibble Hollow, n.d. 5 6 7 8 9 21 1 2 3 4 5 6 7 8 9 26 �SERIES V – AUTHORS AND ASSOCIATES Box 22 Folder 1 2 Contents Weidinger, A.R. Von … “Aller Seelen” (draft), n.d. … “The Black Madonna” (draft), n.d. … “Portrait of a Nun” (draft), circa 1957. Wellman, Manly W. Outgoing Letters, 1948 - 1982 Incoming Letters, 1981 - 1983 Miscellaneous Materials 3 4 SERIES VI – WRITINGS BY OTHER AUTHORS 23 1 2 3 4 5 6 7 8 9 10 11 12 Articles on the Astrological Sign of Pluto Astrological Charts The Astrological Review, September 1933 - August 1941 Baum, Julie. Pluto: The Planet of our Time and Pluto in its Aspects. A lecture given at the AFA Convention in Washington, D.C., 1966. Bibliography of Children and Young Adult Titles Books sponsored by Olive Muriel Fuller Brunhubner, Fritz. “Pluto.” Paper translated by Julie Baum for Members of the American Federation of Scientific Astrologers, circa 1934. ---. “Pluto in the Sign Leo.” Paper translated by Elizabeth Friedel, 1969. Bullard, Nadine. “Pluto -The Liberator from Bondage.” Paper Tanslated by Elizabeth Friedel, 1969. Children’s Writers College Songs Connell, Lenora. “Pluto - Planet of Cooperation.” A Talk given at the 1955 AFA Convention, 1956. 27 �SERIES VI – WRITINGS BY OTHER AUTHORS Box 23 Folder 13 14 15 16 17 18 19 20 21 24 1 2 3 4 5 6 7 8 9 Contents Gunn, Bill. “Johnnas: A Play in One Act,” n.d. (draft) Heacock, Edna K. “The House Positions of Pluto.” Paper translated by Elizabeth Friedel, 1970. Imprint: Oregon, Spring 1974, Fall 1975, Spring-Fall 1977. Jackson, Helen H. “A Christmas Tree for Cats.” (draft). Kimmel, Eleonora. “Pluto, Planet of Force and Destiny.” Paper, 1971. Kozminsky, Isidore. Practical Application of the Zodiacal Symbols. N.p.,1949 Krenbiel, H.E. ed. Famous Songs: Standard Songs by the Best Composers. New York: The John Church Company, n.d. Lothar, Minda “Sarah.” 1959 (draft). Lothar, Minda. “A Rage of Joy.” n.d. (draft) Luntz, Charles E. “The New Planets: Their Ruler Ships and Exaltation Signs.” Astrological Roundtable of St. Louis, 1944. Luxon, Leonora K. “Pluto as a Ruler of Scorpio.” A lecture given at the 1965 AFA Convention in Boston, 1965. Marriage Handbook, n.d.. McGaffery, Ellen. Mundane Astrology. Materials condensed from stenotype notes taken at various lectures, lessons, and discussion groups, n.d. Megis, Cornelia. “The Art of Writing.” September 1950 - January 1951. Morgan, Jane. “Lee De Forest: The Boy Inventor Who Changed the World.” circa 1989 (draft) Myers, Frederick W.H. “Saint Paul,” n.d. (draft) Newspaper Articles and Clippings Oliver, Ruth H. “Pluto.” An address delivered at the 1958 AFA Convention, 1958. 28 �SERIES VI – WRITINGS BY OTHER AUTHORS Box 24 Folder 10 11 25 1 2 3 4 5 6 7 8 9 26 1 2-3 Contents PARM. Pluto: The Planetary Picture as Compared with Neptune. Preface to the Second Edition, n.d. Pearce, Alfred J. An Abridged edition of the Textbook of Astrology. 2nd ed., January 1911 Pryor, Olive Adele. “Pluto-Cardinal or Angular.” Paper, n.d. … “Thirty-Five Years of Pluto.” A lecture given at the 1964 AFA Convention in Boston, 1964. Simmonite, W.J. Complete Arcana Astral Philosophy of the Celestial Philosopher. N.p., c. 1890. Story Parade: A Magazine for Boys and Girls, November 1951. Smith, B.H. and Reginald de Koven. Bob Roy: a Romantic Opera. New York: G. Schirmer, 1894. Young Wings, 1929, 1946. St. Nicholas. May 1915, Stops: A Handbook For Those Who Know Their Punctuation and for Those Who Aren’t Sure. Middlebury College Press, 1940 Thorp, Caroline L. “The Wheels of Heaven.” (draft) Weston, L.H. “Pluto in Nativities,” n.d. Miscellaneous Materials SERIES VII – SHEET MUSIC 27 Ah! Sweet Mystery of Life All Were There Always Anchored A Banjo Bars of Gold Because 29 �SERIES VII – SHEET MUSIC Box 27 Folder Contents Beautiful Ohio The Bells of St. Mary’s Blue Bell The Broad Highway By the Way Bye Lo Callest Thou Thus Oh Master The Camel and the Butterfly Candle in the Window Can’t Help Lovin’ Dat Man Can’t Yo’ Heah Me Callin’ Caroline Carolina Moon Castles in the Air Chinese Mother Goose Rhymes A Connecticut Yankee A Cottage in God’s Garden Could I The Cuck-Coo Clock Dance Little Lady Dear Heart Dear Old Pal of Mine Dearest in the World to Me Deep in My Heart Dear A Dream Dream Kisses Dreaming Dreams Drinking Song Duna The Elephant and the Portman Team English Songs and Ballads Face to Face Fair Ellen A Fairy Story by the Fire Farewell! Adieu! The Fiddler Flirtation 30 �SERIES VII – SHEET MUSIC Box 27 Folder Contents Forgotten Funeral March Gentle Little Jesus Golden Gate Golden Days Good Bye Sweet Day Good Night Sweetheart The Greatest of These The Green-Eyed Dragon The Gypsy Trail Hallelujah! The Home Road The “Humoreske” Song I Dare Not Love You I’m Always Chasing Rainbows I’ve Told You Everything Little Star I Hear You Calling Me I Know a Lovely Garden I Love You Better Than You Know I Love You Truly I Want to Be Happy If I were King I’ll See You in My Dreams Indian Cradle Song Indian Love Call It’s in the Stars Just a Wearying For You Just We Two Kashimiri Song Keep the Home-Fries Burning Kentucky Babe Kentucky Dream Kiss Me Again Knit, Knit, Knit, 60 The Lady Slavery The Lamplit Hour Let Me Awake 31 �SERIES VII – SHEET MUSIC Box 27 Folder Contents The Little Damozel A Little Dutch Garden Little Grey House in the West The Little Irish Girl Love Letters in the Sand Love Nest Lover, Come Back to Me The Magic Night of Christmas The Mascot March of the Musketeers Marche Funebre Military March in D The Missouri Waltz The Moonlight, The Rose, and You My Castle in Spain My Dear My Dream Girl My Heart Stood Still My Hero 28 The Navy Took Them Over and the Navy will Bring Them Back A Necklace of Love Night and Day No Sir O Katharina! O Thou Sublime Sweet Evening Star Oh, Promise Me! Ol’ Man River Old Favorites The Old Road One Alone Only a Dream Face The Parade of the Wooden Soldiers A Perfect Day Princess Flavia Remember The River Song Rose in the Bud Roses Bring Dreams of You Russian Lullaby 32 �SERIES VII – SHEET MUSIC Box 28 Folder Contents Scherzo I Serenade Silver Moon Sing Me to Sleep The Slumber Boat Softly, as in a Morning Sunrise Someday I’ll Find You Sometime Sometimes I’m Happy Song of an Indian Child Song of the Flame Song of the Vagabond Star Light, Star Bright Students March Song Studies in Sixths The Sunshine of your Smile Sur la Glace a Sweet Brair A Sweetheart of My Own Swing High and Swing Low Tea For Two Temple Bells That’s Why I Love You Thou Swell Till We Meet Again The Trumpeter To an Old Love To an Old Song To the Spring To You Two Hearts Up with the White and Gold Valencia Valse Tristle Venetian Moon Violets Wait Till the Cows Come Home We’ll Be the Same What Do I Care? When I Behold When My Ships Come Sailing Home When You Look in the Heart of a Rose 33 �SERIES VII – SHEET MUSIC Box 28 Folder Contents Who Knows? Why Do I Love You? Will You Remember Me? The Chevalier Portfolio Fr. Schubert Compositions for the Piano Gems from Famous Operas Gems from Francis Wilson’s Half a King Good Old Timers Hansel and Gretel The Merry Monarch Miniature Classics Orchester Suite Selected Opera Gems from Standard Operas Songs by Ciro Pinsuti Songs with Obbligato Two Songs for Contralto Vocal Compositions by Reginald de Koven 29 34 �ADDENDA I SERIES I – PERSONAL AND BIOGRAPHICAL INFORMATION Box 30 Folder 1 2 3 4 1 2 3 4 Contents Diaries 1948 - 1950 1951 - 1953 1954 - 1956 1957 - 1959 1960 - 1962 1963 - 1965 1966 - 1967, 1975 - 1976 1977-1979 Diaries-Miniature 1932, 1938 - 1941, 1945, 1951 - 1953, 1955 - 1957, 1960, 1962, 1964 31 32 SERIES VII – MISCELLANOUS MATERIALS 33 1 2 3 Miscellaneous Materials Newspaper Clippings Poetic Verses SERIES IX – SERIALS 34 1 2 3 4 5 6 7 8 9 10 Young Wings Books 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 35 �SERIES IX – SERIALS Box 34 35 Folder 11 1 2 3 4 5 6 7 8 9 10 11 1 2 3 4 5 6 7 37 1 2 3 4 5 6 Contents Young Wings Books 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 1952 1953 1954 1955 Junior Literary Guild 1955 - 1957 1958 - 1960 1961 - 1963 1964 - 1966 1967 - 1969 1970 - 1972 1973 - 1974 1975 - 1976 36 36 �ADDENDA II SERIES IV – PHOTOGRAPHS Box 38 Folder Contents Self portrait of Muriel Fuller by Clare Turlay Newberry, Winter 1935 - 1936 Several framed illustrations from juvenile and young adult books Several unidentified framed photographs SERIES VI – WRITINGS BY OTHER AUTHORS 39 The Holy Bible, Authorized King James Version Barrie, J.M. What Every Woman Knows and Other Plays. New York: Charles Scribners’s Sons, 1928. Coray, Henry W. J. Gresham Machen A Silhoutte. Grand Rapids, Michigan: Kregel Publications, 1981. Malory, Sir Thomas. Le Morte D’Arthur. London: J.M. Dent & Sons LTD., 1947. 37 �BIBLIOGRAPHY Alcott, Louisa May. Little Women. Abridgement by Muriel Fuller. New York: Scholastic Inc., 1986. Closson, Ernest. The Fleming in Beethoven. Translated from the French by Muriel Fuller. London: Oxford University Press, 1936. Dobler, Lavina G. The Dobler World Directory of Youth Periodicals. Compiled and edited by Lavinia G. Dobler and Muriel Fuller, 3rd enl. ed. New York: Citation Press, 1970. Fuller, Olive Muiriel. The Book of Dragons. New York: Robert M. McBride & Company, 1931. Fuller, Muriel. ed. Favorite Old Fairy Tales. New York: T. Nelson, 1949. ---. John Muir of Wall Street. New York: Knickerbocker Press, 1927. ---. More Junior Authors. New York: H. W. Wilson Co., 1963. ---. Zodiac Birthday Book. New York: Crowell, 1945. ---. The Runaway Shuttle Train. Philadelphia: David McKay Company, 1946. Manning, Clarence A., Fuller, Olive Muiriel, and Alexander Key. Marko, the King’s Son, Hero of the Serbs. New York: R.M. McBride & Company, 1932. Shuler, Marjorie, Knight, Ruth Adams, and Muriel Fuller. Lady Editor: Careers for Women in Publishing. New York: E.P. Dutton & Co., Inc., 1941. Stern, Renee B. and O. Muiriel Fuller, eds. Book Trails. Chicago: Child Development, 1946. 38 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Muriel Fuller Papers, 1914 - 1991" Subject The topic of the resource "Children's literature" "Young Adult literature" Description An account of the resource The Muriel Fuller Papers document the life of an extraordinary woman who excelled as an editor, writer, literary agent, and college instructor for more than 30 years. The papers reveal the creativity, ingenuity and productivity that emanated from a committed and multi-talented individual. In addition, the papers provide an insight into the field of children and young adult literatures and the intricacies involved in publishing in these disciplines. Creator An entity primarily responsible for making the resource "Fuller, Muriel" Publisher An entity responsible for making the resource available Archives & Special Collections, Hunter College Library, Hunter College, CUNY Date A point or period of time associated with an event in the lifecycle of the resource "2014-11" Format The file format, physical medium, or dimensions of the resource "Primarily paper with photographs" Language A language of the resource "English" Type The nature or genre of the resource "text" "image" Rights Information about rights held in and over the resource "Hunter College, CUNY" Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "1914-1991" Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Muriel Fuller Papers (1914--1991) Description An account of the resource Muriel Fuller was a former instructor of writing at Hunter College, CUNY, Columbia University, and Hofstra University. Fuller was a Children’s Editor at Rand McNally & Company and at Robert M. McBride Company., Muriel was also affiliated with the McCall Corporation, Vanguard Press, Greystone Press, Thomas Nelson & Sons, and Abelard Press. The papers consist of diaries, correspondence, contracts, manuscripts, book reviews, biographical sketches, newspaper articles and clippings, photographs, sheet music, royalty notes, scrapbooks, and publications. Rights Information about rights held in and over the resource Copyright Hunter College, CUNY Language A language of the resource English